Domain Names, Trademarks, and Business Reputation: Mistakes You Can Avoid  

Domain names are often chosen quickly and intuitively—based on how they sound, a marketing concept, or the name of the business. However, according to lawyers, this is precisely the stage where most mistakes are made: no one checks whether that or a similar name is already registered as a trademark, no one assesses whether a similar (identical) name is being used by other market participants, and sometimes a domain is even chosen that has no obvious connection to the company’s business or its name.

At first glance, these may seem like minor details, but they can later turn into real legal disputes—especially in cases where it turns out that an identical or very similar name is being used by a well-known company that holds a registered trademark and prior rights. In such situations, the domain owner may face a demand to transfer the domain, and the dispute is often resolved not in national courts but through a special international procedure. Sandra Mickienė, a senior attorney at the law firm AVOCAD, comments on these risks and their practical assessment.

She notes that disputes over domain names rarely arise immediately after registration—they typically emerge once the domain begins to “operate” in the market or becomes recognizable to third parties. In practice, several typical situations can be identified that most often give rise to claims:

First, the domain is actually put to use in commercial activities and becomes visible to consumers—for example, by creating a website, an online store, or a service platform. If such a domain is identical or confusingly similar to another business entity’s trademark, the trademark owner may take action to prevent consumer confusion;

Second, a dispute may arise even when a domain name is not actively used but is publicly visible—for example, when it redirects to a promotional page. In such cases, the question of whether such use exploits the reputation of third-party trademarks becomes particularly relevant;

Third, a situation of practical significance is the so-called “parked domain” model—where a domain is held without any apparent activity, but its name objectively matches a well-known trademark or is very similar to it. It is precisely these situations that often lead to conflicts, as trademark owners may view the holding of such a domain as a potential obstacle to the exercise of their rights or even as a speculative act.

To protect their interests, trademark owners in such cases typically do not turn to national courts but instead utilize a special international dispute resolution procedure administered by WIPO and based on the Uniform Domain Name Dispute Resolution Policy (UDRP) adopted by ICANN. It is this procedure that determines whether a domain may continue to be used lawfully or must instead be transferred to the holder of legitimate interests.

In UDRP proceedings, disputes are resolved based on a strictly defined evidentiary framework; the complainant must prove all three cumulative conditions, and if even one is not proven, the claim must be dismissed in its entirety. “The first element of the complainant’s case is that the disputed domain name is identical or confusingly similar to the trademark in which the complainant has rights. This assessment is made by comparing the dominant element of the trademark with the domain name. In practice, this means that even minor modifications—such as the addition of generic words, geographical terms, or variations in spelling—are often insufficient to negate similarity if the consumer still associates the domain name with the trademark,” the lawyer states.

The second element, she says, is the absence of the defendant’s rights or legitimate interests. When applying this criterion, a specific burden of proof applies: it is sufficient for the petitioner to present preliminary facts suggesting that there is no legitimate interest, and the defendant must then prove otherwise.

The third element is the bad-faith registration and use of the domain name. This is the most complex element and the one that most often determines the outcome of the dispute. The UDRP provides an illustrative list of situations involving bad faith, including the registration of a domain name with the intent to sell it to the trademark owner, the disruption of a competitor’s business, or the misleading of consumers regarding a connection with the complainant. The respondent’s defense in such cases must be constructed systematically, focusing on refuting at least one of the UDRP criteria; however, in practice, it is the justification of legitimate interests that carries the greatest weight. As provided for in the UDRP rules, when preparing a response to the complaint, the respondent must submit specific evidence confirming their rights or legitimate interests in the domain name.

The UDRP rules set forth a non-exhaustive list of circumstances which, if proven, allow the respondent to establish a legitimate interest. One such situation is where, prior to notification of the dispute, the respondent was already using the domain name or had commenced genuine and reasonable preparatory steps to use it in connection with legitimate business activities. WIPO practice emphasizes that such preparatory actions must be supported by objective evidence, such as business plans, investments, or contracts, rather than mere declarations.

Second, a legitimate interest may be based on the fact that the defendant (as a natural or legal person) is widely known by the same name (as the domain), even if they have not registered a trademark. In such cases, the actual recognition in the market is assessed, rather than merely the formal registration of the domain.

In addition to these criteria, analyzing the timing of the domain registration remains particularly important in practice. If the domain was registered before the applicant acquired rights to the trademark, it is usually difficult to prove that the registration was made in bad faith, which may result in the claim being dismissed. It is also assessed whether the domain has an independent meaning—such as a generic or descriptive one—and whether it was chosen independently of the applicant’s business activities.

However, according to a senior lawyer at AVOCAD, the fundamental practical rule remains the same— mere declarative explanations are not sufficient. The defendant’s position must be supported by consistent, objective, and document-based evidence that allows the panel to assess the actual use of the domain and the defendant’s intentions.

“Although at first glance it may seem that the burden of proof in UDRP proceedings falls more heavily on the complainant—after all, it is the complainant who bears the burden of proving that all three cumulative conditions are met— while the respondent need only refute at least one of them—in practice, the situation is far more complex,” notes S. Mickienė.

In cases where a domain was registered without conducting a preliminary analysis (in particular, without checking for the existence of an identical or confusingly similar registered trademark), and the business is operated without a clear business model, without retaining all documents related to the business, without having achieved significant market recognition, and with low turnover, it may be particularly difficult for the defendant to establish a legitimate interest. Even in the absence of an intentional attempt to exploit the reputation of another entity’s trademark or to mislead consumers, a lack of objective evidence (e.g., regarding actual business operations, investments, or readiness to use the domain) significantly weakens the defendant’s position.

An AVOCAD attorney also highlights the practical aspects of this procedure: upon receiving a complaint, the defendant often has to respond immediately within tight deadlines, assess the situation, and prepare a legally sound response. This usually means the need to engage lawyers who would analyze relevant WIPO practice, check trademark and domain databases, gather evidence, and prepare a well-reasoned position. Such actions inevitably entail additional time and financial costs.

“Choosing and registering a domain name should not be viewed as a mere formality or a secondary step. Failure to do the necessary ‘homework’ (i.e., checking trademark registries, assessing the market situation, and evaluating potential conflicts) this may later result not only in the risk of legal disputes but also in real costs associated with defense, potential loss of the domain, or the need to change the trademark and business identity,” warns Sandra Mickienė.

Therefore, according to her, a thorough legal review must be conducted during the domain selection stage: assessing trademark registry data for identical or confusingly similar marks, checking domain availability, as well as evaluating the overall market context and potential associations with existing businesses. Such an analysis should focus not only on formal similarities but also on potential consumer perception.

Furthermore, it is important that the chosen domain name has a clear and logical connection to the planned business activities and does not fall into the so-called “borderline similarity” zone with respect to other trademarks. The actual use of the domain is equally important—the domain should not be held passively. The conduct of actual business activities, a clearly defined business model, and supporting documents (e.g., contracts, investments, evidence of operations) can be of critical importance in assessing the existence of a legitimate interest and the outcome of a dispute.

 

Selling products without the consent of the trade mark owner. What are the risks?

In international trade, every step in the use of a trademark must be based on the express consent of the owner. Failure to do so may result in even original goods being subject to illegal distribution.

TheCourt of Appeal of Lithuania has confirmed that Greita upė UAB illegally distributed Chupa Chups carbonated beverages made in South Korea because it did not have the trademark owner - the Italian company Perfetti Van Melle s.p.a. - with the consent of the other party. The court banned the further sale of such products on the EU market and awarded damages of €20,000.

The Court found that the South Korean producer had been granted a licence to supply beverages to the European Union only through three clearly named companies. "The drinks were not purchased by Greita rivers from these official suppliers, but from a Latvian company which was not authorised to sell Chupa Chups drinks for the EU market. Moreover, the packaging with Korean inscriptions confirmed that the product was intended for the South Korean market only. These circumstances mean that the goods appeared on the EU market without the authorisation of the rightful owner, which qualifies as an infringement of intellectual property rights.

The Lithuanian company defended itself by arguing that the goods had been purchased from a third party operating in the European Union, Top Food SIA, and that, in its view, the claimant should have brought all claims for infringement of the trade mark proprietor's rights against the third party, and not against the respondent.Otherwise, a precedent would be established where the final purchaser of the goods would be required to prove the previous chain of acquisition of the goods back to their manufacturer, notwithstanding the fact that the goods were acquired after they had already entered the European Union market.Therefore, in the view of the company's representatives, the defendant's acquisition of the goods was lawful and not in breach of the legal requirements.

However, the courts were not persuaded by such arguments and ultimately held that the mere fact that the defendant acquired the goods at issue from a Latvian company did not constitute a basis for finding that the applicant's rights as the proprietor of the trade marks had lapsed.The mere placing on the market of goods bearing the relevant trade mark in the European Union (EEA) must not be construed as extinguishing (exhausting) the applicant's rights in the trade mark registered and protected in its name.

"This case is a classic example of how a misunderstanding of the legality of a supply chain can lead to significant legal consequences. The mere fact that the goods were purchased legally does not in any way mean that the owner of the trademark loses all his rights to the trademark," says Mantas Baigys, an attorney at law at AVOCAD .

According to the lawyer, it was not for the trader to prove that the soft drinks bearing the trademarks 'CHUPA CHUPS' had been purchased on the European Union market, but that they had been placed on the market in the Member States of the European Union with the applicant's consent.

Key lessons for business

Legal analysis - Before importing products, it is necessary to assess whether the marketing of certain products under specific trademarks will infringe the intellectual property rights of that owner. Failure to do so may result in the cessation of all trade, the destruction of all products and the payment of all material and non-material damages to the owner of that trade mark.

Drafting the contract properly - Record all verbal confirmations by the distributor in a written agreement on the ownership of the intellectual property, and remember to include clauses on liability in the event of a counterfactual.

Proper legal prevention will avoid unpleasant, time-consuming and costly litigation, which can lead not only to negative financial consequences, but also to reputational damage to the business itself, without the consent of the trademark owner.

 

Does an employer have the right to use an employee's image to advertise services and goods?

Today's social networking trends mean that businesses are increasingly involving their employees in the promotion of goods and services they sell.

A side effect of this trend is that, after the termination of their employment contract, employees typically do not want themselves and their image associated with a particular company and its products, and therefore demand that all advertisements be removed from social networks and no longer used in the future. Can employers protect themselves against such demands from employees? Mantas Baigys, attorney at law and personal data law expert at AVOCAD, answers.

Under the Civil Code, a photograph (part of a photograph), portrait or other image of a natural person may be reproduced, sold, displayed, printed, or photographed only with the person's consent. Consent may be given orally, in writing or by implication.

According to the lawyer, neither the Labour Code nor any other legislation prohibits an employee from agreeing with the employer on the use of his/her image to advertise his/her goods and services on social networks.

"One of the essential conditions to be agreed between the employer and the employee is to assess and discuss the duration of the use of the image. In a legal situation where a person has freely authorised the use of his or her image for commercial purposes and has not discussed the term of use in the contract, the right of the person to the image is protected, given that this right is part of the right to privacy," the lawyer notes.

When two legal goods - the right to respect for private life in the context of image protection and the employer's proprietary interests in the advertising of its services and goods - collide, the protection of the individual's right to privacy must be given priority.

For these reasons, if the employee and the employer have not agreed on a time limit for the use of the image, the employee will normally have the right to withdraw his or her consent (which may be withdrawn during the term of the employment contract) to the use of his or her image in the employer's advertisements after the termination of the contract.

A key piece of advice from Mantas Baigis is that the agreement with the employee on the use of his/her image in advertisements, while discussing all the necessary conditions, must also clearly agree on the term of use of the image (e.g. how the image will be used after the end of the employment relationship).

"If such conditions are not included - according to the latest trends in case law - employers will be obliged to remove all advertisements from social networks and may be liable to pay for all the material and non-material damage suffered by the employee," the lawyer points out.

"The issue of the legality of the use of the image may also be investigated by the State Data Protection Inspectorate for breaches of the General Data Protection Regulation in the improper processing of employees' personal data, and if found to be in breach, could lead to huge sanctions," says Mantas Baigys.

 

When does public performance of music become an offence?

Imagine you're walking down a city street, and a nearby café is playing a jazz tune, while a passer-by is blasting a popular song on his phone. Music is almost everywhere in the city, but have you ever wondered when such public performances cross the boundaries of legality?

When is music a legitimate source of joy, and when can it lead to serious consequences? Where are the limits of copyright protection and how do you avoid being listed as a copyright infringer? Rokas Puodžiūnas, lawyer at AVOCAD, answers these questions.

Musical works are protected by Copyright. Copyright objects are original literary, scientific and artistic works that are the result of creative activity expressed in some objective form.

Thus, there are two requirements for works to be protected by copyright: originality and objective form. The latter means that the work must have been created in a form (which does not necessarily have to be fixed in a tangible medium) that allows it to be perceived by others (e.g. a book that can be read, a painting, etc.). A work cannot be considered to be merely an idea that has not been realised.

The moment of creation of protection in works

Copyright protection of works starts from the moment the work is created, i.e. from the moment the work is expressed in an objective form. Whether or not the person who created the work intended it to be the subject-matter of copyright protection is irrelevant to the triggering of protection. Nor does the law require any formalities that are relevant to the emergence of protection (such as registration, special marking, recognition).

Copyright is divided into two types: personal moral rights and economic rights (also known as economic rights).

The author's moral rights are rights that have no economic content. They are intrinsically linked to the personality of the author. The purpose of these rights is to protect the author's personal interest in the work being known as he created it. Non-proprietary rights cannot be transferred to other persons.

The law establishes 3 personal moral rights:

  • authorship right - the right to claim authorship of a work by having the author's name clearly indicated on all copies of the work published, or by any other practicable means of public performance of the work;
  • the right to the author's name - the right to request that any use of the work include or exclude the author's name or a pseudonym;
  • the right to integrity of the work - the right to object to any distortion or other alteration of the work or its title, as well as to any other interference with the work which may harm the author's honour or reputation.

Copyright is the right to use the author's work. Only the author, another rightholder or his/her representative can authorise or prohibit the public use of the work in any way. Unlike in the case of moral rights, the author is entitled to receive a fair and proportionate royalty for each use of the work in relation to the author's moral rights. Economic rights can also be transferred by contract and inherited. However, economic rights are subject to a term of preservation: authors' economic rights last for the lifetime of the author and for 70 years after the author's death.

The law provides for this non-exhaustive list of property rights:

  • reproduce the work in any form or manner;
  • to publish the work;
  • translate the work;
  • adapt, arrange, stage or otherwise rework a work;
  • distributing the original or copies of the work by sale, including by public offer to buy or by targeted advertising of the original or copies of the work to encourage consumers to buy them, or renting, lending or otherwise transferring the original or copies of the work for ownership or possession, or for importing or exporting;
  • display the original or copies of the work in public;
  • perform the work publicly by any means and by any means;
  • broadcasting, retransmission and other communication of the work to the public, including making it available to the public on computer networks (the internet).

Any use of the original work or copies thereof without the permission of the author, his successor in title or his duly authorised representative is considered unlawful.

How are copyright regulations reflected in the public domain when a piece of music is released?

First of all, it should be noted that publishing music without the author's consent is not always an infringement.

The publication of music in a public space is considered a public performance of the work. A public performance is the playing, singing, playing, reciting, reading, dancing or other means of public performance of a work, either directly (live performance) or by means of any means or equipment, in any public place where an unspecified group of members of the public is present at the same time, or is likely to be present.

It is clear from this definition that a performance of a work is not only when it is performed live, but also when it is made audible to an unspecified group of members of the public by technical means.

An undefined group of members of society is understood as a group of individuals who are not bound by any strong reciprocal relationship (e.g. family; friends; classmates) and therefore cannot be defined. Therefore, playing music loudly at a private party of friends will not constitute copyright infringement.

However, playing music in a public space where any passer-by can hear it (e.g. music played over loudspeakers in a shopping mall, in restaurants; in hotel lobbies), unless the author's consent has been obtained and the author has been compensated fairly, will already be considered an infringement. For such an infringement, the author will be able to claim the cessation of the unlawful acts (if they have continued for a longer period of time) and compensation for the use of the infringing work.

How to avoid a possible infringement?

If the aim is to legally play music in a public setting in order to create a cosy atmosphere, it may seem difficult on the face of it, as you would have to agree with all the songwriters whose work you want to play, and it may be even more difficult if you want to play a foreign work. It can be even more complicated if the author and the performer of the musical work are not the same, as in such a case the copyright belongs to the author of the song, but the performer of the song owns the neighbouring rights to the performance of the song (neighbouring rights are derivative rights to the result obtained by the use of the work, i.e. performance of the work, recording of the work, the first take of a film, etc). This would entail contracts with several entities.

To this end, collecting societies exist to administer and enforce the economic rights of performers by concluding contracts with them. It is therefore more convenient for users to be able to conclude contracts for the lawful exploitation of their works with a single organisation that manages such right holders.

In Lithuania, such organisations are often heard in the public domain, such as LATGA (Lithuanian Association for the Protection of Copyrights) and AGATA (Lithuanian Association of Neighbouring Rights). As the name suggests, LATGA represents copyright holders and ensures that authors are compensated for the use of their works. AGATA ensures the rights of related rights holders by representing the interests of performers, producers of phonograms and audiovisual works.

So, if individuals want to legally use music in their activities, they need to enter into agreements with both LATGA and AGATA. Otherwise, an infringement of the law is being committed, for which appropriate legal consequences may be imposed.